Yards of Possibilities

129twigandvine—Yards of PossibilitiesThe mailman pulled up outside the studio door—always a good sign that he comes bearing something he can’t squeeze into the mailbox.

Today’s package came all the way from Belarus. Yards and yards of unbleached natural linen, and several yards of an irresistible micro stripe. Ever since I purchased my linen apron in November I’ve been intrigued by the linen of Russia and eastern Europe. And now I have my hands on some.

This linen smells like a field of flax. I sniffed it and felt waist deep in grasses and flowers.

Denise sourced it for ilo collective and ordered a sample yard or two. We got together and made an initial group of household items from that first batch. The pillow has an outer case of linen and inner case of ticking. Wandering hand-stitches complement the raw edge. A version with a magenta linen insert is also on the shop. Then Denise made a gorgeous apron, and several zippered bags with color accents. All on the shop too.

Who knows where else this linen will lead us.

Off wandering in the field of flax, am I. 129twigandvine–ilo collective linen items, etsy

In the Studio, Textile Journal Covers

129twigandvine—in the studio, journal covers by ilo collective, etsy

A blue and green flowered skirt, a blue lace shift and a deep orange shirt were among the garments Denise and I scissored up to make four fabric covers for composition books last Friday. Here are the results of our two hour book fest in the studio. We took these to Zuzu’s in Norwich, Vermont. More new items are appearing on the henhouse and ilo shop this week.

I’m pretty fond of the orange and pear. Do you have a favorite?

There will be more.

129twigandvine—in the studio, journal covers by ilo collective, etsy129twigandvine—in the studio, journal cover by ilo collective, etsy 129twigandvine—in the studio, journal covers by ilo collective, etsy

Thinking of India During a Snowstorm

129twigandvine_theweavers2

The snow is piling up, just as they said. For once the hype seems true. My main happiness is watching it obscure all the broken branches under the trees, and the last piles of garden debris I raked up but never hauled to the compost pile. And then there is the copious amount of horse manure down in the field. I’m pretty happy to see it fully erased from the kitchen table view.

All these things were bared after our first snows melted in rain two weeks ago. Winter’s game of peekaboo continues.

Hidden. Revealed. Hidden. Revealed.

(This storm could keep it all hidden until April, for all we know.)129twigandvine_theweavers1

Here is some eye candy I’ve been taking in this morning—visions of handmade textiles in India. Somehow I stumbled on the above image of sewing hands and traced it to The Weavers, in New Delhi, India.

At this writing their website is under construction, but here is a link to show you more of their lovely wares.

Vivid color, tactile beauty and handmade design befitting a snowy day.

129twigandvine_theweavers

DIY, Felt Upcycled Mittens

129twigandvine_mittens129twigandvine_mittens

On New Years Day I went to the studio. I thought I’d start the new year by making something.

{A precedent to set for the year.}

{A need to get my hands working with fiber after being up to my elbows in holiday food and wrapping paper for a few weeks.}

The pile of felted sweaters caught my eye and it was time to cut and play with all those rich wool colors. A striped Scottish scarf is what really firmed up my plans that day, and I set about tracing my hand on a paper bag, digging into the stash of tshirts for seam tags and lining, and hitting the cutting mat and sewing machine without a backward glance.

This is the first of three sets of mittens I’ve made. The design possibilities are endless. The freehand embellishment alone can make my head spin. I love freehand sewing on most anything, but the cut mitten shape allows for a worthy canvas upon which to watch the thread spin and whirl into imagined fiddlehead fern shapes or lightning bolt zig zags. I think I’ll do some raw edge applique or soutache designs next.

A few tips:

PATTERN: lay your hand on paper and trace it leaving an extra 1/2″ or more all around, BUT leave less at the top of your thumb and fingers. You want comfortable width for your mittens, but if they are much longer than your finger and thumb they’ll feel uncomfortable. I modified my pattern after sewing this pair, and also modified this pair to fit more snugly. They are downright perfect. THUMB: do be sure to have enough width for the thumb because you don’t want it to fit too tightly side to side.

SEAMS: I stitched 1/4″ seams but them trimmed the curves and cut straight into the seam between thumb and main part of mitten so the final mitten lays flat. When I sewed the inner thumb I back-stitched a little for extra strength at that seam knowing I’d need to trim close to it.

STITCH LENGTH: I used a short stitch (length of 2) for these mittens to assure that they are warm and don’t let too much draft through the seams. The tshirt lining adds a great deal of extra draft-proofing and warm and is worth the additional steps.

LINING: When putting lining inside the finished mitten, the mitten will be turned right side out. I put the lining on my hand (wrong side out) and then put my hand right into the mitten, making sure that the lining and the seams are comfortably lined up (especially the thumb) before doing the final pinning and sewing of the wrist area.

IDEAS: For the next two pairs I mixed sweaters to have two different fronts and backs on each mitten. The possibilities are endless.

Living with Blue and White

129twigandvine_blueandwhite

This fall I was pleased to see classic blues return to the pages of shelter magazines and in the collections I saw in Paris at Maison et Objet. As a child I collected blue willow china, and I still have a soft spot for any blue and white plates.

These new blue and white references show that artists and designers are finding new ways to show off a palette that has been tried and true for centuries. I’m excited to see graphic, painterly, and watercolor versions of blue flowers showing up in textiles, and bold blue and white geometric patterns for wallpapers, fabrics, flooring and ceramics. Little touches of purple or turquoise make it appear current.

Blue and white is easy to decorate and live with. I’m glad it’s surfaced again in trends.

Photo credits, from top left clockwise: Christopher Baker for Country Living; Studio Ditte; Nick Pope for Easy Living; Bluebell Gray; Home & Garden UK, November 2012 issue.

The Studio of Mofa Barcelona

129twigandvine_MOFA_Barcelona_bags

Barcelona. We loved our week there in April of this year, and still chatter about it when we cook bacalao or sip a glass of cava.

What sealed my love for Barcelona was the creative use of textiles and design that was on display in every corner of the city. In the face of economic hardship, the artisans of this Mediterranean city are using fabric and thread in ways both inventive and inspiring.

Mofa_Barcelona_studio2

When Monica Farguell introduced herself by mail this fall, I glimpsed this Barcelona creativity again. Monica is a bag designer based on the hillside near Parc Guell in the city. She developed her brand Mofa Barcelona 2 years ago and is finding a great response to her colorful and creative work. She designs, produces and manufactures two new collections yearly in her own studio. She’s a one woman wonder.

Here is an interview I had with Monica, where she shares about her background and process. Enjoy.

1. Who taught you to sew?

I was never interested in sewing until a friend suggested we take a basic sewing class together, just for fun. That course changed my life as it awoke an interest in sewing I was never aware of. I started to make basic bags and experiment with fabrics and the reactions I received encouraged me to learn more and more until I finally decided to take a degree in Fashion Design. I am on the final leg of this journey and still learning.

2. Do others work with you, or do you design and sew alone?

I design and sew all the bags and purses that come from my studio, however my Mum cuts the fabric from the patterns I provide, which is of invaluable help.

Mofa_Barcelona_studio

3. Is there a typical day at MOFA? Is this your full time work?

I’m on my last year of a Fashion Design course, so right now I work in the mornings and go to class in the afternoons. I don’t have a set routine for the mornings, I just plan the week ahead and work from day to day accordingly.

I release a biannual collection so there are some months where the work is all around design and inspiration and other months where it’s just about production. This works well as it means a wide variety of work and pace for me.

As an experienced Graphic Designer I do on occasion take commissions for small jobs to boost my income.

4. What inspires your designs?

I am inspired by life. I really enjoy expressing my experiences. If I feel happy, my collection will be very colourful and my themes will be something that makes me feel good. On the other hand I can be going through a blue period while designing a collection and the designs will be darker and not so flamboyant.

I don’t try to follow the fashion stereotypes of the moment, although I do take note of the coming season’s palette, to know what you will soon be seeing in the shop windows.

5. Anything else you’d like to share about yourself?

I have two main goals that I expect to make real someday.

One of them is to design my own printed textiles for my bags and I actually expect to do this very soon. I think that when you are creating a collection if you can bring the concept through from the very beginning of the process the finished article will be richer and of course you would get a far more exceptional piece.

My other goal is to design and create a collection of baby clothes. However, this is something for the future.

Mofa Barcelona website

Shop Mofa Barcelona on Etsy

Fog Linen, JaneGee

129twigandvine_fog_linen

The scene is Portsmouth, New Hampshire—just a stone’s throw from Maine. Seaside village. Cobbled streets. And the place where I found a gorgeous slate gray apron by Fog Linen in a sweet little shop called JaneGee.

I say slate gray, but I also mean rich, warm, earthy gray with a touch of mushroom. Stone gray. The gray of the sky at dusk on a rainy night. Irresistible gray.

I say apron, but this garment suggests something out of Jane Austen’s England. Or 19th century rural France.

Jane (I’m back to JaneGee)—who hails from Australia—and Emma—who is English—provided a warm welcome to our little entourage of four friends. We stumbled in from the rainy night to their warmth and kindness. The shop was white and light, filled with aged wood boxes, natural linen and hewn wood. It felt Scandinavian and English—both. We were all smitten by Emma and Jane.

I didn’t mean to leave there with an apron—but Emma was wearing one and it just called my name. The two women extolled the virtues of Fog Linen, the Japanese company who sources the finest Lithuanian linen for their line of beautiful clothes and items for the home. They extolled the virtues of the natural skin products Jane makes by hand. They were both artists and we talked about the satisfaction of making things by hand.

It was the last stop on a long and wonderful day with my friends.

And I left with the last gray Fog apron they had in stock.

Find Fog Linen near you.

JaneGee
10 Ladd Street
Portsmouth, New Hampshire
1.603.431.0335

Petit Pan Paris


Early September, my last day in Paris. I was tired and pledged not to overdo it. Take photographs. Write notes. Draw sketches.

But Paris has a habit of luring me up streets and around corners.

In the end I walked about 1o miles.

The weather was good—the morning rain turning to sunshine, warm, no wind.

So walk I did.

First I wandered all over the Marais—one of my favorite areas in Paris, with its narrow streets, beautiful squares, and eclectic shops. Then I took the Metro north to the top of Montmartre. I had been here in April in dismal weather and wanted to explore it more. The area around Sacré Coeur was overrun so I started down the steps from the hilltop.

I missed a turn for a Metro stop, and since Montmartre is on a steep hillside, I chose to keep walking downhill instead of climbing hundreds of steps.

If I hadn’t made that mistake I wouldn’t have stumbled upon Petit Pan, a tiny shop of enchantments. A mobile of handsewn dotted mushrooms (I love mushrooms!) in the window drew me in to a narrow shop lined with bolts of ditzy print fabrics, patterned paper boxes and journals, silk butterflies hanging down from the ceiling. Further in there were inventive children’s clothes and bedding. And that’s what I can remember. There was so much more.

The unusual color combinations and pattern mixes the designers used raised my blood pressure. My head was buzzing with ideas. I bought a few small things with my dwindling cache of euros, and bid farewell to the friendly women at the counter.

A short distance away I settled into a bench in the square near the Abbesses Metro. A jazz guitarist played a familiar tune. The late summer sun slanted through the tree tops and glimmered on the carousel nearby. Page after page in my little notebook filled with sewing ideas, art sketches and things to tell friends. All percolating from my visit to that little shop.

Petit Pan
9 Rue Yvonne le Tac
Paris

There are several more locations in Paris. Perhaps you will stumble on one my design or by chance!

The photos above include items from Petit Pan, with a few from other places.
They are clockwise from top:
1. Haute Nouveauté vintage fabric sample, Porte de Vanves flea market
2. Patterned bias tape, Petit Pan
3. Vintage 35 ribbon, Porte de Vanves flea market
4. Soft aqua pink floral fabric, Liberty of London
5. Three rolls of patterned fabric, Petit Pan
6. Vintage button card, Porte de Vanves flea market

Meet Fiona Douglas of Bluebellgray

Every once in awhile you have a chance to cross paths with someone you admire. This happened twice for me on my recent trip—once in London, once in Paris. (London story coming soon).

I have been seeing—and loving—the lively watercolor artistry of Fiona Douglas, the artist behind Bluebellgray (website, facebook page), featured in magazines in recent months. Last week in Paris I was walking the halls of the Textile Hall at Maison et Objet, the definitive home décor show, when I came upon their display. What a treat to put aside my tongue-tied attempts at speaking French and sit for awhile with three delightful women from Glasgow, Scotland.

Fiona, Georgie and Wendy were welcoming, and provided us with espresso and kindness. We were more than happy to get off our feet to sit among the plush gorgeous pillows and talk about art, textiles, how much we love Paris, the wonders of Glasgow, the buildings and designs of Charles Rennie Mackintosh, and Vermont. Probably a few other things too….

Fiona’s story of creating her business began when she studied painting in art school. She was brimming with ideas and designs, but her professors didn’t respect or encourage her approach. A friend invited her to investigate a textile design program, and suddenly everything clicked into place. The switch made all the difference, and Fiona began to create the style and techniques that she is known for today with Bluebellgray.

It’s rare to find a fit for your passions during early years of training, and Fiona is grateful for her good fortune. She was pleased to tell us that her very supportive husband enabled her to start the business, and from the response in Paris, I’d say it’s a successful endeavor. I look forward to seeing where Fiona’s paintbrush will take her in the coming years.

Here’s wishing that your autumn garden is as colorful as Fiona’s paintings!

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