Yards of Possibilities

129twigandvine—Yards of PossibilitiesThe mailman pulled up outside the studio door—always a good sign that he comes bearing something he can’t squeeze into the mailbox.

Today’s package came all the way from Belarus. Yards and yards of unbleached natural linen, and several yards of an irresistible micro stripe. Ever since I purchased my linen apron in November I’ve been intrigued by the linen of Russia and eastern Europe. And now I have my hands on some.

This linen smells like a field of flax. I sniffed it and felt waist deep in grasses and flowers.

Denise sourced it for ilo collective and ordered a sample yard or two. We got together and made an initial group of household items from that first batch. The pillow has an outer case of linen and inner case of ticking. Wandering hand-stitches complement the raw edge. A version with a magenta linen insert is also on the shop. Then Denise made a gorgeous apron, and several zippered bags with color accents. All on the shop too.

Who knows where else this linen will lead us.

Off wandering in the field of flax, am I. 129twigandvine–ilo collective linen items, etsy

In the Studio, Textile Journal Covers

129twigandvine—in the studio, journal covers by ilo collective, etsy

A blue and green flowered skirt, a blue lace shift and a deep orange shirt were among the garments Denise and I scissored up to make four fabric covers for composition books last Friday. Here are the results of our two hour book fest in the studio. We took these to Zuzu’s in Norwich, Vermont. More new items are appearing on the henhouse and ilo shop this week.

I’m pretty fond of the orange and pear. Do you have a favorite?

There will be more.

129twigandvine—in the studio, journal covers by ilo collective, etsy129twigandvine—in the studio, journal cover by ilo collective, etsy 129twigandvine—in the studio, journal covers by ilo collective, etsy

Thinking of India During a Snowstorm

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The snow is piling up, just as they said. For once the hype seems true. My main happiness is watching it obscure all the broken branches under the trees, and the last piles of garden debris I raked up but never hauled to the compost pile. And then there is the copious amount of horse manure down in the field. I’m pretty happy to see it fully erased from the kitchen table view.

All these things were bared after our first snows melted in rain two weeks ago. Winter’s game of peekaboo continues.

Hidden. Revealed. Hidden. Revealed.

(This storm could keep it all hidden until April, for all we know.)129twigandvine_theweavers1

Here is some eye candy I’ve been taking in this morning—visions of handmade textiles in India. Somehow I stumbled on the above image of sewing hands and traced it to The Weavers, in New Delhi, India.

At this writing their website is under construction, but here is a link to show you more of their lovely wares.

Vivid color, tactile beauty and handmade design befitting a snowy day.

129twigandvine_theweavers

DIY, Felt Upcycled Mittens

129twigandvine_mittens129twigandvine_mittens

On New Years Day I went to the studio. I thought I’d start the new year by making something.

{A precedent to set for the year.}

{A need to get my hands working with fiber after being up to my elbows in holiday food and wrapping paper for a few weeks.}

The pile of felted sweaters caught my eye and it was time to cut and play with all those rich wool colors. A striped Scottish scarf is what really firmed up my plans that day, and I set about tracing my hand on a paper bag, digging into the stash of tshirts for seam tags and lining, and hitting the cutting mat and sewing machine without a backward glance.

This is the first of three sets of mittens I’ve made. The design possibilities are endless. The freehand embellishment alone can make my head spin. I love freehand sewing on most anything, but the cut mitten shape allows for a worthy canvas upon which to watch the thread spin and whirl into imagined fiddlehead fern shapes or lightning bolt zig zags. I think I’ll do some raw edge applique or soutache designs next.

A few tips:

PATTERN: lay your hand on paper and trace it leaving an extra 1/2″ or more all around, BUT leave less at the top of your thumb and fingers. You want comfortable width for your mittens, but if they are much longer than your finger and thumb they’ll feel uncomfortable. I modified my pattern after sewing this pair, and also modified this pair to fit more snugly. They are downright perfect. THUMB: do be sure to have enough width for the thumb because you don’t want it to fit too tightly side to side.

SEAMS: I stitched 1/4″ seams but them trimmed the curves and cut straight into the seam between thumb and main part of mitten so the final mitten lays flat. When I sewed the inner thumb I back-stitched a little for extra strength at that seam knowing I’d need to trim close to it.

STITCH LENGTH: I used a short stitch (length of 2) for these mittens to assure that they are warm and don’t let too much draft through the seams. The tshirt lining adds a great deal of extra draft-proofing and warm and is worth the additional steps.

LINING: When putting lining inside the finished mitten, the mitten will be turned right side out. I put the lining on my hand (wrong side out) and then put my hand right into the mitten, making sure that the lining and the seams are comfortably lined up (especially the thumb) before doing the final pinning and sewing of the wrist area.

IDEAS: For the next two pairs I mixed sweaters to have two different fronts and backs on each mitten. The possibilities are endless.

DIY, Moss Winter Garden

129twigandvine_winter_garden

The days are lengthening, I can already tell. The chickens, who took a break from laying for a few weeks, are sharing an egg per day.

Around now the indoor greenery is keeping my spirits up. The tips of narcissus are reaching toward the ceiling, and the amaryllis has a fat bud that looks promising. Also green and thriving is the winter garden with moss and stones.

I gathered moss before the snow flew back in December and put this winter garden together. It was so easy to do and sustains my link to the dirt under all that snow. About once a week I take off the dome and spray the moss to keep it moist and green.

If you are able to find some woodland rocks on a south facing slope, you can still gather moss. Even with a ton of snow on the fields, I’ve seen some green spots peeking out here and there on my back-road drive to my parent’s house. I have plans to collect moss to surround the amaryllis bulb I mentioned.

Winter Garden

What you need:

  • a plate or container for a little soil and stones (moss only needs stone and a tiny bit of dirt and moisture to thrive)
  • glass dome (I found this at my local thrift store)
  • gathered moss—if you can find a few different varieties it adds to the interest of the garden. Some mosses will become cushioned and velvety. Others will send up little shoots like small antennae).
  • a small porcelain item can be a nice decorative touch, or a small cut branch with winterberry for some color.
  • spray bottle filled with water

Arrange your stones on a plate, or fill a container with stones and then soil. Moisten the soil. Top with several stones for the moss to grow over.

Collect your moss and blanket the stones and soil with the pieces. If your moss is in tiny pieces lay them together. They will fill in quickly as the moss grows.

Using the spray bottle thoroughly mist the top of the moss.

Add any decorative porcelain birds or small berry twigs now.

Place the dome on top. If condensation forms, prop the dome open a little with a utensil to allow some moisture to escape for about a day. You can leave the winter garden in the sunshine to help speed the drying. Then close the dome again to keep most of the moisture in.

Spray the moss about once a week. If it gets brown, don’t worry. Spray it and it will revive again in a few days.

The Eve of the Eve

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Winter kept us waiting. But yesterday seemed to seal our chances for a white Christmas. Curtains of snow fell, finally blanketing the last of the kale in the garden, and coating each branch with nature’s best holiday tinsel. Even the animals seemed to enjoy the snow.

129twigandvine_snowfall

129twigandvine_winterberry2The last of the bold red winterberry—uneaten by the birds—shone out against the monochrome sky.129twigandvine_felt_garland

I strung a collection of felt beads into a garland and hung it from the cupboard above the teapots and bowls. 129twigandvine_snowfall3

The world is still after a windy night. I filled containers to make ice lanterns (how to make them here). The mercury will dip well below freezing tonight.

129twigandvine_snowy_pine

A friend sent me a lemon curd recipe and the house filled with the sharp crisp scent of citrus as I zested three lemons this afternoon. Sun streamed into the kitchen—a welcome sight after a gray week—and the curls of zest cast their own inner glow. 129twigandvine_lemon_zest

From the eve before Christmas Eve I wish you and yours a festive holiday time of togetherness, warmth and gratitude. May the peace of the season be with you all.

Stacked Paper Christmas Tree DIY from Sweet Paul

from Sweet Paul blog.

I plan to try this over the weekend. From the talented Paul Lowe of Sweet Paul blog where you will find the complete instructions and many more DIYs for the holidays.

Natural Holiday, Sweden

from Lantliv magazine (Country Life, Sweden) Photo Carina Olander.

Someday I’d like to visit Sweden. Either in the darkest winter, or in the endless sunshine of summer. For now, I live vicariously through books and blogs.

This article in Lantliv magazine sums up the airy, bright beauty of the northern winter light. I’m smitten by the simple paper and evergreen decorations in this house where the Norberg family lives. It makes me think that the simplest things: apples, cut paper, pinecones, hyacinths and pine boughs are the best way to deck the halls. I’ll be adding the orange of clementines and the red of pomegranates too.

Photo Carina Olander

Photo Carina Olander

Full article here. Thanks to Apartment Therapy for guiding me to Lantliv.

The Studio of Mofa Barcelona

129twigandvine_MOFA_Barcelona_bags

Barcelona. We loved our week there in April of this year, and still chatter about it when we cook bacalao or sip a glass of cava.

What sealed my love for Barcelona was the creative use of textiles and design that was on display in every corner of the city. In the face of economic hardship, the artisans of this Mediterranean city are using fabric and thread in ways both inventive and inspiring.

Mofa_Barcelona_studio2

When Monica Farguell introduced herself by mail this fall, I glimpsed this Barcelona creativity again. Monica is a bag designer based on the hillside near Parc Guell in the city. She developed her brand Mofa Barcelona 2 years ago and is finding a great response to her colorful and creative work. She designs, produces and manufactures two new collections yearly in her own studio. She’s a one woman wonder.

Here is an interview I had with Monica, where she shares about her background and process. Enjoy.

1. Who taught you to sew?

I was never interested in sewing until a friend suggested we take a basic sewing class together, just for fun. That course changed my life as it awoke an interest in sewing I was never aware of. I started to make basic bags and experiment with fabrics and the reactions I received encouraged me to learn more and more until I finally decided to take a degree in Fashion Design. I am on the final leg of this journey and still learning.

2. Do others work with you, or do you design and sew alone?

I design and sew all the bags and purses that come from my studio, however my Mum cuts the fabric from the patterns I provide, which is of invaluable help.

Mofa_Barcelona_studio

3. Is there a typical day at MOFA? Is this your full time work?

I’m on my last year of a Fashion Design course, so right now I work in the mornings and go to class in the afternoons. I don’t have a set routine for the mornings, I just plan the week ahead and work from day to day accordingly.

I release a biannual collection so there are some months where the work is all around design and inspiration and other months where it’s just about production. This works well as it means a wide variety of work and pace for me.

As an experienced Graphic Designer I do on occasion take commissions for small jobs to boost my income.

4. What inspires your designs?

I am inspired by life. I really enjoy expressing my experiences. If I feel happy, my collection will be very colourful and my themes will be something that makes me feel good. On the other hand I can be going through a blue period while designing a collection and the designs will be darker and not so flamboyant.

I don’t try to follow the fashion stereotypes of the moment, although I do take note of the coming season’s palette, to know what you will soon be seeing in the shop windows.

5. Anything else you’d like to share about yourself?

I have two main goals that I expect to make real someday.

One of them is to design my own printed textiles for my bags and I actually expect to do this very soon. I think that when you are creating a collection if you can bring the concept through from the very beginning of the process the finished article will be richer and of course you would get a far more exceptional piece.

My other goal is to design and create a collection of baby clothes. However, this is something for the future.

Mofa Barcelona website

Shop Mofa Barcelona on Etsy

Fog Linen, JaneGee

129twigandvine_fog_linen

The scene is Portsmouth, New Hampshire—just a stone’s throw from Maine. Seaside village. Cobbled streets. And the place where I found a gorgeous slate gray apron by Fog Linen in a sweet little shop called JaneGee.

I say slate gray, but I also mean rich, warm, earthy gray with a touch of mushroom. Stone gray. The gray of the sky at dusk on a rainy night. Irresistible gray.

I say apron, but this garment suggests something out of Jane Austen’s England. Or 19th century rural France.

Jane (I’m back to JaneGee)—who hails from Australia—and Emma—who is English—provided a warm welcome to our little entourage of four friends. We stumbled in from the rainy night to their warmth and kindness. The shop was white and light, filled with aged wood boxes, natural linen and hewn wood. It felt Scandinavian and English—both. We were all smitten by Emma and Jane.

I didn’t mean to leave there with an apron—but Emma was wearing one and it just called my name. The two women extolled the virtues of Fog Linen, the Japanese company who sources the finest Lithuanian linen for their line of beautiful clothes and items for the home. They extolled the virtues of the natural skin products Jane makes by hand. They were both artists and we talked about the satisfaction of making things by hand.

It was the last stop on a long and wonderful day with my friends.

And I left with the last gray Fog apron they had in stock.

Find Fog Linen near you.

JaneGee
10 Ladd Street
Portsmouth, New Hampshire
1.603.431.0335

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