A Little Bit of Sweden in Soho

129twigandvine gudrun sjoden shop, soho, new york, photography by Sue Schlabach

I have yet to travel to Stockholm.

But a few weeks ago I stepped into the Soho shop of Swedish designer extraordinaire, Gudrun Sjõdén and got a tiny taste of the Stockholm vibe that must emanate from her flagship store there. It is one thing to admire someone’s artistry from your computer screen or the pages of the catalogues that arrive in the mailbox. It’s another to touch the fabrics and be enveloped in the atmosphere of a place.

What I most loved in the Soho boutique was the slowing down of the mood from the busy New York streets outside. New York was buzzing on caffeine and the feeling inside was attentive, yet leisurely. The patterned tone on tone gray on the floors—a classic in Swedish interiors—was the perfect complement to the vivid colors and patterns.

The clothing here is superb in quality, and the prices reflect the quality. I learned that I am an XS and the colors I liked most were sold out. But now I know my size for when I have opportunity to splurge in the future.

Other items in the collection are very reasonable. I came home with a colorful cushion cover (shown upper right) that was only $10. I treated myself to a magenta dotted towel that I’ve been eying up for a few months (I posted it here), and a striped citron green pair of leggings and a similarly-colored crinkly cotton scarf.

It was worthwhile to join the Gudrun buying club to receive a generous discount at the register and I noted that on each price tag there was a price for buying a single item and a significant discount if you bought two. Savvy.

Back in Vermont, I have the floral pillow behind my back as I write this, and I’m thinking about the old chair in my studio that I plan to paint and cover in bold fabric with a bauble edge, inspired by the chair I saw in the shop.

A Spring Rabbit, Masako Kubo

129twigandvine-masako_kubo

A tiny touch of spring weather is in the air for Easter weekend here (this means sunny and a high of 48 F, with possible high 50s for tomorrow). The snow is receding. The farmyard is muddy. The sugarhouses will be boiling today.

I came across this rabbit artwork by Masako Kubo on the Covet Garden blog. A tea towel of the art is available at Terrain. I was smitten with its simplicity and it, along with the sunshine, are putting me in the Easter spirit. Masako’s illustration is so clean and fresh. I like her simplified palettes and use of words and emblems. Her rabbit may just inspire us to decorate some eggs today.

Yesterday I perused my photo libraries from spring in the last few years. All the blooming crocus, daffodils and tulips don’t show up until the April 20s of later, so I’m going to have to be patient. Tiny tips of green are popping up on the south side of the house where the snow is gone. And in three weeks we’ll be in Ireland where there will be plenty of green and spring flowers.

I leave you with two photographs I took in Montreal last May. A vintage birdcage that I plan to paint in a loose style on canvas (I’ll share if it’s worthy), and a cheery display from a favorite fleuriste.

129twigandvine—montreal vintage birdcage129twigandvine—Montreal fleuriste

Mod Peacock Pillows

129twigandvine_peacock_pillow2

Inspired as I am by Danish modern art and design, I tried my hand at it last spring and made several peacock illustrations for Wild Apple. The art was picked up by several home furnishing companies, among them Manual Weavers and Woodworkers. These production samples arrived at the office this week and I’m tickled by my quirky birds, all puffed up and cheery.

These are indoor outdoor pillows, and will appear in their spring offerings to their clients. Fingers crossed that they’ll end up in retail down the line.

www.129twigandvine.com — Mod Peacock PIllow, art by Sue Schlabach

www.129twigandvine.com — Mod Peacock by Sue Schlabach

The Studio of Mofa Barcelona

129twigandvine_MOFA_Barcelona_bags

Barcelona. We loved our week there in April of this year, and still chatter about it when we cook bacalao or sip a glass of cava.

What sealed my love for Barcelona was the creative use of textiles and design that was on display in every corner of the city. In the face of economic hardship, the artisans of this Mediterranean city are using fabric and thread in ways both inventive and inspiring.

Mofa_Barcelona_studio2

When Monica Farguell introduced herself by mail this fall, I glimpsed this Barcelona creativity again. Monica is a bag designer based on the hillside near Parc Guell in the city. She developed her brand Mofa Barcelona 2 years ago and is finding a great response to her colorful and creative work. She designs, produces and manufactures two new collections yearly in her own studio. She’s a one woman wonder.

Here is an interview I had with Monica, where she shares about her background and process. Enjoy.

1. Who taught you to sew?

I was never interested in sewing until a friend suggested we take a basic sewing class together, just for fun. That course changed my life as it awoke an interest in sewing I was never aware of. I started to make basic bags and experiment with fabrics and the reactions I received encouraged me to learn more and more until I finally decided to take a degree in Fashion Design. I am on the final leg of this journey and still learning.

2. Do others work with you, or do you design and sew alone?

I design and sew all the bags and purses that come from my studio, however my Mum cuts the fabric from the patterns I provide, which is of invaluable help.

Mofa_Barcelona_studio

3. Is there a typical day at MOFA? Is this your full time work?

I’m on my last year of a Fashion Design course, so right now I work in the mornings and go to class in the afternoons. I don’t have a set routine for the mornings, I just plan the week ahead and work from day to day accordingly.

I release a biannual collection so there are some months where the work is all around design and inspiration and other months where it’s just about production. This works well as it means a wide variety of work and pace for me.

As an experienced Graphic Designer I do on occasion take commissions for small jobs to boost my income.

4. What inspires your designs?

I am inspired by life. I really enjoy expressing my experiences. If I feel happy, my collection will be very colourful and my themes will be something that makes me feel good. On the other hand I can be going through a blue period while designing a collection and the designs will be darker and not so flamboyant.

I don’t try to follow the fashion stereotypes of the moment, although I do take note of the coming season’s palette, to know what you will soon be seeing in the shop windows.

5. Anything else you’d like to share about yourself?

I have two main goals that I expect to make real someday.

One of them is to design my own printed textiles for my bags and I actually expect to do this very soon. I think that when you are creating a collection if you can bring the concept through from the very beginning of the process the finished article will be richer and of course you would get a far more exceptional piece.

My other goal is to design and create a collection of baby clothes. However, this is something for the future.

Mofa Barcelona website

Shop Mofa Barcelona on Etsy

Welsh Countryside on a London Street

Where I left you on Columbia Road in London, not so long ago, was Vintage Heaven and Cake Hole. Oh to be there today, nibbling cake and sipping tea. I am, however content to be here this morning. There is a dusting of snow on the hillside and animals waiting at the fence for breakfast. I am drinking tea. And there is good work to do.

This doesn’t stop me from a memory stroll on a Sunday morning in London.

Come along please.

Further along Columbia Road—past the drifts of tulips, hibiscus, and heather in the flower market (that filled that Sunday street)—I came upon Jessie Chorley and Buddug Humphrey’s treasure trove. Their shop, J&B, is self described as ‘A little bit of the Welsh Countryside in the city’.

Indeedy.

These two friends hale from Snowdonia, Wales, and bring the character of the place into everything they do. And then some.

The doorway was an arbor of handmade cardboard letters flanked by clothing embroidered in wonky letters and marvelous enameled jewelry, wall plates and sculptural cups adorned with words and whimsy. The characters of Jessie and Buddug (pronounced bu-th-ig) slowly came into focus. Jessie, the gal with needle and floss took hold of any scrap of cloth and turned it into art to wear or gaze upon. Buddug was the one who crafted enameled metal into jewelry and artwork adorned with handwriting and sketches.

I was struck speechless. I wandered around like a blithering idiot and I think I met Jessie. I mumbled incoherently and she probably took me for a simpleton.

{Struck simple by works of creativity, resourcefulness, good heartedness, beauty.}

Jessie gives sewing workshops! If you’re in London, check it out. Both women have interesting websites, blogs, on-line shops.

J&B Online Shop.

J&B Shop Blog.

Jessie’s website.

Buddug’s website.

Photo credits: all images in this post are from Jessie and Buddug’s various websites.

Petit Pan Paris


Early September, my last day in Paris. I was tired and pledged not to overdo it. Take photographs. Write notes. Draw sketches.

But Paris has a habit of luring me up streets and around corners.

In the end I walked about 1o miles.

The weather was good—the morning rain turning to sunshine, warm, no wind.

So walk I did.

First I wandered all over the Marais—one of my favorite areas in Paris, with its narrow streets, beautiful squares, and eclectic shops. Then I took the Metro north to the top of Montmartre. I had been here in April in dismal weather and wanted to explore it more. The area around Sacré Coeur was overrun so I started down the steps from the hilltop.

I missed a turn for a Metro stop, and since Montmartre is on a steep hillside, I chose to keep walking downhill instead of climbing hundreds of steps.

If I hadn’t made that mistake I wouldn’t have stumbled upon Petit Pan, a tiny shop of enchantments. A mobile of handsewn dotted mushrooms (I love mushrooms!) in the window drew me in to a narrow shop lined with bolts of ditzy print fabrics, patterned paper boxes and journals, silk butterflies hanging down from the ceiling. Further in there were inventive children’s clothes and bedding. And that’s what I can remember. There was so much more.

The unusual color combinations and pattern mixes the designers used raised my blood pressure. My head was buzzing with ideas. I bought a few small things with my dwindling cache of euros, and bid farewell to the friendly women at the counter.

A short distance away I settled into a bench in the square near the Abbesses Metro. A jazz guitarist played a familiar tune. The late summer sun slanted through the tree tops and glimmered on the carousel nearby. Page after page in my little notebook filled with sewing ideas, art sketches and things to tell friends. All percolating from my visit to that little shop.

Petit Pan
9 Rue Yvonne le Tac
Paris

There are several more locations in Paris. Perhaps you will stumble on one my design or by chance!

The photos above include items from Petit Pan, with a few from other places.
They are clockwise from top:
1. Haute Nouveauté vintage fabric sample, Porte de Vanves flea market
2. Patterned bias tape, Petit Pan
3. Vintage 35 ribbon, Porte de Vanves flea market
4. Soft aqua pink floral fabric, Liberty of London
5. Three rolls of patterned fabric, Petit Pan
6. Vintage button card, Porte de Vanves flea market

A List. An Award.

Many thanks to Pearly Queen Notebook for bestowing me with the One Lovely Blog Award.

I am long overdue in thanking her and passing on the goodwill to so many other deserving artists and writers.

Pearly Queen makes new jewelry from old. I have huge respect for this. My friend Sara Dakin has tried to teach me this great art (she also shines at jewelry-making and re-making), but I’m not terribly good at it. Go see what Pearly Queen has been making.

As for the award, I suppose when I set out to start this blog two years ago, making it lovely was high on the list. And I’ve aspired to make it have a bit of substance too. Only you can tell me if I’m succeeding there.

I’m supposed to share seven things about myself. I feel like I do that all the time.

In the spirit of NOT being all about me, here is a list of seven people who have inspired me  lately.

1. Jane Cumberbatch: I found her book Pure Style in a French translation (long story) about a dozen years ago. I hunted it down in English and find that it is as fresh and relevant today as the day it was published in 2000. Jane’s other books are just as informative and inspiring. She has a great blog and website—both that she is revamping as we speak. I met Jane for tea at the Victoria & Albert Museum when I was in London last month and enjoyed her company immensely. I’ll share her new web launch when it goes live.

2. Sara Dakin: I just mentioned her. She’s a friend and neighbor. She has a great old farmhouse full of kids, birds, dogs, family heirlooms, flea market furnishing, and thrift store treasures. She manages all this and still has fresh baked cookies on hand almost daily. And they are REALLY good. She makes jewelry from found things and one of these days we’ll get some of her creations available on the ilocollective etsy shop.

3. Erin Gundy: Erin is one of my oldest friends but lives far away in northern Ontario. She visited here this summer and reminded me how jazzed up I can get with ideas when I’m in her presence. She is an accomplished photographer, painter, rug-hooker, gardener, and is now an accredited land use expert. ie: Renaissance woman. She lives in a hand-crafted cordwood house which is surrounded by native plants, intensive gardens, and a natural meadow.

4. Sara Pinto: We met when we were pregnant. That was 11 years ago. We’ve collaborated on two children’s books here and here (she as illustrator, me as designer), we’ve seen in many a new year, we’ve dreamt up many far-fetched plans that someday will come to fruition. The ocean separates us these last few years since her move to Glasgow, but her phone calls, emails, and visits still fire a spark. Sara writes children’s and young adult books. Check ‘em out.

5. and 6. Jim Krause and Dyana Valentine: I saw Jim and Dyana speak at the HOW design conference in June, and then was lucky enough to share lunch with Jim afterward. Jim and Dyana shared things to do in your daily life to increase your creativity. I felt on track with some of the things, but was stretched and excited by their dynamic presentation and ideas. Paint and draw at your kitchen table! Grab a friend for an art date! Photograph something daily that is part of your routine {but do it with variety and thought}. These were just a few of their ideas. I think of that presentation almost daily as I try to live a more creative life.

7. Each one of you: the ones who stop by to browse and choose to subscribe to 129TwigandVine. If I haven’t reciprocated, it is only because I am in turns overwhelmed and buried beneath a seeming insurmountable amount of email for my job. The personal ones can fall by the wayside during these times. If only I could lay on a chaise and read all day! Pop me an email, or remind me what you are up to in a comment.

And here are the blogs I’d like to pass the award to:

My Black Book Paris {Paris, London, Scandinavia and beyond}

Helly Belly {Blog of London-based photographer Helen Cathcart}

Just a Smidgen {Recipes and poetic observations of life from Calgary}

Made in Persbo {Sweden through the lens of photographer Carina}

Clementine {From the curator of my favorite shop in Vermont—Clementine}

//Between the Lines // {Clever and imaginative DIY from Pascal in Paris}

Simply Hue {Inspired photography, interiors, life by Vicki in Seattle}

Deborah Bowness

Cattywumpus is a good word. I don’t know how it is spelled.

It’s the word that came to mind when I rounded the bend near the dressing rooms at Liberty of London back in September. There I came face to face with one of Deborah Bowness’ dress images. It was green.

Only I didn’t know it was by Deborah Bowness, and I didn’t know that it was wallpaper, handmade in England. I just knew that I loved it.

As luck would have it, a similarly wonky layered photograph of a lamp popped up in one of the many design websites I troll. It seemed like the creative hand behind the lamp matched my memory of that layered dress. The source was discovered!

Like David Hockney paintings, that I came to love back in the early 1980s, Bowness layers images up against each other in ways I can only call cattywumpus.

Ordinary becomes extraordinary.

Meet Fiona Douglas of Bluebellgray

Every once in awhile you have a chance to cross paths with someone you admire. This happened twice for me on my recent trip—once in London, once in Paris. (London story coming soon).

I have been seeing—and loving—the lively watercolor artistry of Fiona Douglas, the artist behind Bluebellgray (website, facebook page), featured in magazines in recent months. Last week in Paris I was walking the halls of the Textile Hall at Maison et Objet, the definitive home décor show, when I came upon their display. What a treat to put aside my tongue-tied attempts at speaking French and sit for awhile with three delightful women from Glasgow, Scotland.

Fiona, Georgie and Wendy were welcoming, and provided us with espresso and kindness. We were more than happy to get off our feet to sit among the plush gorgeous pillows and talk about art, textiles, how much we love Paris, the wonders of Glasgow, the buildings and designs of Charles Rennie Mackintosh, and Vermont. Probably a few other things too….

Fiona’s story of creating her business began when she studied painting in art school. She was brimming with ideas and designs, but her professors didn’t respect or encourage her approach. A friend invited her to investigate a textile design program, and suddenly everything clicked into place. The switch made all the difference, and Fiona began to create the style and techniques that she is known for today with Bluebellgray.

It’s rare to find a fit for your passions during early years of training, and Fiona is grateful for her good fortune. She was pleased to tell us that her very supportive husband enabled her to start the business, and from the response in Paris, I’d say it’s a successful endeavor. I look forward to seeing where Fiona’s paintbrush will take her in the coming years.

Here’s wishing that your autumn garden is as colorful as Fiona’s paintings!

Jelly Jars and Watercolors

When life gives you jelly jars, some would make jelly.

I found a box of dusty old jars at the thrift store yesterday. And jelly making couldn’t have been farther from my mind (seeing as it was 90 degrees). I’d never seen such groovy jars and immediately pictured them filled with all those little sundries that I lose in the studio all the time—safety pins, tacks, beads, jewelry making pieces.

It didn’t occur to me that these jars would also be the Muse I needed to get started on a watercolor project that I’ve been mulling over all week. I needed to do folkloric inspired flowers, and these 60s flowers aren’t exact to the assignment, but they were just the color kick I needed to get started. And, as we all know, sometimes getting started is the hardest part.

 

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